Surveying the mid-twentieth century American Jewish community from his pulpit, R. Norman Lamm mined the Passover story for two purposes – to make the case for royal humility, a constant vacillation between the confidence of freedom and the modesty of servitude, and as a call for a renewed and passionate Jewish observance. Stuart W. Halpern examines these themes as reflected in R. Lamm’s “The Royal Table.”
Yitzchak Blau writes on C.S. Lewis’ “An Experiment in Criticism” for The BEST: “Literature does provide pleasure, but it surely does more than that. It opens readers to new horizons, inspires them to analyze ideas, and connects them to a more profound sense of the good. If so, a poem must both be and mean.”
In TRADITION’s winter issue we published Barry Kislowicz’s “From Intuition to Evidence” about implementing “faith development” theory in Jewish schooling. Read the author’s exchange with a reader who asks about the role of homes and families in this challenging work.
Geula Twersky’s “Torah Song” (Kodesh Press) offers a remarkable analysis of the major poems of the Torah, and is a creative attempt to underline how the entire Torah—and particularly its poetic passages—forms an intricate network of ideas that unite the ideology of the Torah. Hayyim Angel reviews Twersky’s book, suggesting it will prompt readers to exert extra effort to fathom the divine treasures underlying biblical poetry, and to become religiously inspired through these efforts.