In The BEST Chaim Strauchler writes on Emily Dickinson and the function of art: For Dickinson, in her terse paradoxical style, art tells “all the truth” – but does so in a way that can be understood. A certain degree of falsehood – slant – must be included in effective truthful communication.
Is it possible to be a religious pluralist without collapsing into some sort of post-modern rejection of absolute truth? Rabbi Jonathan Sacks advanced a distinctive set of answers to this question, but was often attacked by his critics as if he were undermining the extent to which our own tradition is in possession of the absolute truth. He was misunderstood to be endorsing a form of relativism or post-modernism. Samuel Lebens seeks to set the record straight…
The origins of the minor Jewish festival of Lag ba-Omer, celebrated today, are shrouded in mystery. This article by Aton Holzer, which appeared in TRADITION (Spring 2020), speculates that the origin of the holiday actually lies in the laying of the cornerstone of the Julianic Temple in 363 CE in Jerusalem.
The possibility that the Roe v. Wade ruling will be overturned by the Supreme Court is polarizing. In TRADITION’s special issue exploring the thought of R. Lichtenstein, Alan Jotkowitz analyzed R. Lichtenstein’s nuanced teachings on abortion, highlighting his balanced approach to this painfully divisive subject.