In reviewing Malka Puterkovsky’s “Mehalekhet be-Darka,” Yitzchak Blau profiles a work of halakhic literature remarkable for its author, genre, and sensitivities. That a volume of “teshuvot” (even if not adhering to the classical form) penned by a woman garnered critique from the right-wing is not surprising, and sheds some light on the path breaking accomplishment.