August 18, 2022

The BEST: Lost in Translation

Na’amit Sturm Nagel writes in The BEST on Eva Hoffman’s portrayal of the immigrant experience after the Holocaust: Movement doesn’t only move forward, and people do not simply work towards a sense of wholeness. Rather, for Hoffman, people and places are meant to be fragmented, as Hoffman concludes: “it is in my misfittings that I fit.”
August 17, 2022

LETTERS

Cosmic Villages; Demonic Letters: TRADITION’s readers, and editor, respond.
August 15, 2022

REVIEW: Artifacts of Orthodox Jewish Childhoods

It is too easy to dismiss or ignore popular culture, especially that addressed to children. A new collection of personal and critical essays, “Artifacts of Orthodox Jewish Childhoods” (Ben Yehuda Press), helps combat that dismissal, and might even inspire us to think seriously about the cultures of our own childhoods. Uri C. Cohen reviews the volume and applauds its blurring of boundaries between the scholarly and the personal, suggesting it proves to be a positive development when scholars are open about their subjectivity.
August 11, 2022

The BEST: “Dean Town” by Vulfpeck

Gershon Albert writes on what we can learn from a particular funk-band: Vulfpeck has mastered the art of creating culture. Every part of the musical experience is considered, from cinematographic decisions that focus on 70s video nostalgia, to self-made fonts and minimalist instruments. These elements all contribute to a sense of communal belonging. Those of us who are tasked with creating sense of belonging for Jewish institutions can learn from this approach to culture, using elements like language, aesthetics, and “shtick.”
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