Rachel Sharansky Danziger writes on the value of appreciating common literary forms: By treating all myths and religious stories as variations on the same deeper psychological drama, Joseph Campbell’s “The Hero With a Thousand Faces” discards the question of their veracity, rendering them all equally true – or untrue. To accept this position is to reject the first commandment, Maimonides’ 13 principles of faith, and so much else besides. That said, Campbell’s methodology can still enrich our study of Tanakh.